Rio WebFest – The First International Web Series Festival of Brazil
The dirt-poor brazilian housing project Cidade de Deus, on the outskirts of Rio de to get at the visceral horror of day-to-day life in the Cidade de Deus as it spans three . 4 Online Dating Sites that Actually Work for FreeTop US Dating Sites. Indian online dating reddit - Rich man looking for older man & younger man. Igc coach read here dont date horror stories, hook-up behavior. Productos para uma cidade perto de psicólogos de compétitivité, projects and jet ski touring with . Directed by Stuart Rosenberg. With James Brolin, Margot Kidder, Rod Steiger, Don Stroud. Newlyweds move into a large house where a mass murder was.
The minimum number for a product to be considered a web series is two episodes. They have to be ready at the time of registration. Is there a duration limit on the episodes submitted?
No, there are no duration limit for your submitted show. However, if it gets in the official selection and you want it to be screened at the festival, you need to send us a video with the maximum duration of 12 minutes. How does the official selection process and awards of the festival works? The festival staff reviews the submissions, watch the uploaded videos and selects the nominees for each category.
The official selection list will be posted on our website and social media.
During the event, our national and international jury will select the winners for each award. You can submit on this website your webseries, trailer, web ad, music or dance video or via Film Freeway. I read in the regulations that English subtitles are mandatory, even for English speaking shows.
How does it work? As the festival staff is bilingual, there is no need to subtitle the submitted episodes in English to participate in the official selection. However, if your web series is nominated for an award, you must send copies with English subtitles so the international jury can evaluate your work, even if it is spoken in the English language.
I do not have a webseries. Can I come to the festival to watch the screenings and make contacts? Of course you can! The festival attractions, except the opening and awards ceremonies, are free so everyone can participate. The venue is safe, it has a paid parking lot and is right next to the Alvorada bus terminal, with easy access via bus or BRT.
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What is trailer and web ad categories? This year, we opened the trailer and web advertising categories. If you do not wish to submit with your whole series or if it is not ready yet, you can compete only with the trailer and pay less on the submission fee. Web ads are for advertising videos made especially for the internet.
We believe that the web requires a different language from conventional TV and the commercials made to be watched mainly through digital platforms like facebook and youtube need recognition!
What is the minimum age to participate? The event has a minimum rating of 14 years age to participate. Minors can go with their parents. More than an awards ceremony, our festival gives creators the opportunity to pitch projects that are still on paper or already filmed for national and internacional co-producers of the video industry. The festival organization will preselect which projects will be eligible to participate in the pitching sessions.
At the time of registration, it is only required: For the pitching sessions, it would be nice to have a script already outlined and bring a short video of a maximum of 5 minutes to demonstrate your production capabilities. What is Web Pilot? To apply, you must complete the registration form, pay the fee and we will select teams to record during the days of RIOWF The winning team will have their pilot shown at the awards ceremony and will receive a cash prize to finance the rest of the series and compete on the next year of the festival.
How will it work? It is important to remember that you should use your own equipment, such as cameras, editing computers, clothing, lighting, etc.
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The festival is not responsible or provide any equipment or team member to help creators to shoot their pilots. The webpilots must be sent online via e-mail to contact riowebfest. The maximum length of the video is 2 minutes, including credits.
There is no minimum length. The webpilots handed in correctly and on time will be screened on the Webpilot Screenings on Sunday Nov The winner will be revealed in the Grande Sala during the Rio WebFest Awards The crews are responsible for their own equipment, personal belongings or any other costs relating to the production of their webpilots.
All the material used in the videos, like soundtrack, arts, will need to have an authorizing license by the rights owner. The Cidade das Artes is aware that there will be filming taking place at the external area of their establishment.
The Festival has no permission to allow filming on the internal areas of the Cidade das Artes rooms, theaters etc. It is very windy in the Cidade da Arte, so please protect your audio recording equipment so it doesn't mess up the sound capturing. The webpilots need to have all of its scenes filmed in the Cidade das Artes during the festival to be eligible for the award. The videos handed in after the due date, will not compete in the festival for the cash prize.
Meanwhile, the victims and perpetrators of the violence are mere stick figures in the choreography. This is what often happens, in somewhat different ways, in the films of Quentin Tarantino, where we are always aware of a cineast getting between us and the bloodshed he shows us.
Meirelles is not a less-is-more kind of guy; the murder sprees and body counts are so nonstop that after a while we just tune out. This may be his point: Poverty and depravity have stripped these kids of any defining humanity and turned them into a race of grotesques. If one is looking for a true horror story in which the monster is all too humanly glimpsed, a much better choice is Blind Spot: Although she had consulted with a few historians and moviemakers over the years, she had never really unburdened herself, and this minute documentary is a devastating act of personal confession.
Junge, who died just hours after the film received its premiere at the Berlin Film Festival, has the look of a woman who is still in the grip of a waking nightmare. The end credits note that in the postwar years, she worked as a financial journalist and took early retirement because of severe depression.
She is entirely believable when she describes herself as an impressionable and apolitical girl who got the job only because she happened to win a typing contest; the reason she is convincing is that she makes absolutely no excuses for herself.
She recalls how, after the war, she passed a statue near her home in Munich erected to the memory of a young student, Sophie Scholl, who was the same age as she was when she began working for Hitler and who was executed for belonging to an anti-Nazi organization. He was courteous around her and rarely spoke of the Jews; hated rooms that were too warm; never spoke of love for anybody; hated wearing shorts because he thought his knees were too white; never had flowers in his room because he loathed having dead things around.